Thank you to my contributors and supporters…

If you have been reading my blog recently, you will know I have been looking for contributors to help support a series of projects here in Indonesia.  Well, I am now very close to my target and so on Thursday will be heading to Makassar to start shooting.  I still need to sort out a few details but essentially the entire project will be going ahead.

The success of this crowd-funding project is entirely due to the people that have very generously donated money or helped share what I am doing on their own social networks.  To the following people, I am very much in your debt!  Thank you for your support, your time and efforts, and your trust in me to tell these stories successfully…

Thanks to the following people for helping to spread the word about what I am trying to do:

  • Karin Sodervall
  • Alan Dean – Raincoast Images
  • Beatriz Barroca
  • Luca Vaime
  • Jane Sharp
  • Sam Fernandez
  • Otto Wong
  • Kate Malcolm
  • Andra Alexander
  • Dee Svezda
  • Hashida Lee
  • Daniel Pye
  • Sangeeta Mangubhai
  • Danica Silahooy
  • Suzanne Chater
  • Magda Rakita
  • Shauna Teevan
  • Anton Skrzypiciel
  • Alfa Dian
  • June Wah
  • Shan Sandhu
  • Mel Chu
  • Jason Isley
  • Mona Isley
  • Andrew Fingerman & Lauren Margolis – Photoshelter
  • Helen Brunt
  • Gil Wooley
  • Emma Jenkins
  • Roger Munns
  • Yanti Saman
  • Mark Thorpe

And thanks to the following people for their amazing generosity – without you all, these shoots would not be going ahead:

  • Mike Veitch
  • David & Debi Henshaw
  • Peter Blumtritt
  • Nick Hope
  • Hannah Kitchen
  • Johan Peijnenburg
  • Lizzie Bentley
  • Dave Wallace
  • Sarah-Jane Gray & John Drake
  • John More
  • Roger & Jill Kitchen
  • Libby Lodh
  • Howard Angus
  • Edmund Tee
  • Andy Shorten
  • Michael Marten
  • Christos Kardana
  • Sue Chong-Hartley
  • Maarten van Alphen
  • Alex Bennett
  • Kate & Andrew McMichael

Over the last few days I have taken quite a 'clinical' look at why this particular crowd-funding project has worked and so, for visitors who are considering gathering support for projects in a similar manner, I have tried to break down the main reasons why I believe I have been successful:

  • I approached people that I know personally with projects that have considerable emotional interest;
  • The projects and stories are discrete and of real personal interest to me.  They are stories I want to tell and I am pretty certain I will be able to do so successfully;
  • The relatively small budget means that any contribution, no matter how small, will make an obvious difference – important when you are trying to attract as much support as possible;
  • The 'perks' on offer are of interest to a wide range of people and are a little more 'personal' than a simple print.  In particular, offering the opportunity to work with me on the final edit means that contributors will have a very real involvement in the final outcome of the project.

I suspect that if I had pitched a grand idea, with a huge budget and a less definite goal, I would never have reached my funding target.  In 'clinical' terms, crowd-funding needs an emotional hook and contributors must feel that their support, no matter how small, is going to make a real difference to the overall success of the project.

Would I try this again? I am already considering a much larger project for later this year which I will try and fund through a site such as KickStarter or IndieGoGo.  I have learned some valuable lessons from this crowd-funding project which I can apply to future funding campaigns on platforms that will give me a great deal of exposure.  I firmly believe that crowd-funding is a viable way of funding photography projects, although I now need to step away from my own fabulous and generous network of family, friends and contacts, and into the pulic domain.  That will be the true test of whether my ideas and stories are deserved of funding.

And I am off…  As the shoot progresses I will be emailing updates to my contributors directly, and will also be posting images on my FB page, tweeting away, uploading mobile images to my posterous site and writing up a few blog posts here – all dependent on internet access of course!  My aim is to share the experience of shoots like these with everyone that has made them possible.  Thank you once again!

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